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Pietr the Latvian 90%

Simenon's xenophobia on display throughout.  Foreigners are troublemakers, smell different--how did they get to France.  Interesting depiction of Anna, the Jewish femme fatale.  Sometimes she's greasy and disgusting. And then, quickly, she becomes beautiful and exotic.  I read that some consider Simenon--with his amazing output--to be almost "automatic" writing and thus reveals the uncensored mind.  Interesting idea.

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