Mildred involved--almost as a 'Fifth Business' character--in a variety of couples. Julian, the rector whom many thought M. would marry--has proposed to Allegra, the widow of a churchman. Allegra wants Winifred away from her brother Julian and tells Mildred she'd like her to take Winifred as a roommate. Rocky and Helena have big argument--Helena moves out, expecting to move in (it seems) with Everard Bone, the anthropologist whom she seems to love. But Bone has asked Mildred to tell Helena--though she doesn't do it in time--that he does not love Helena and that she must stop acting foolish. It sounds like a comedy, but isn't, because there is a general unhappiness/longing in Mildred. Mousy, unadventurous--she doesn't expect love to come her way . . . but she wouldn't mind. I'm thinking this is headed toward a "she lives alone" ending, not a cheery surprise love/marriage.
Follows Sadie and Sam (Mazer) from childhood to mid-thirties when both are feeling old and a bit out of it in the gaming world. Characters are well-rounded, develop throughout the novel in interesting way. Plot is involved but sensible. Not a single, "Oh, come on!" moment. The book could have been faster paced. Odd, since the main topic is video games which are not for their speed of engagement and Gabrielle Zevin clearly knows her video games. Recommended by Michael Connelly in an interview. He also has Bosch pick up the book in his novel, Resurrection Walk, as Bosch tails a possible witness to a crime as she moves through a bookstore. Sadie and Sam do not get together at the end, which is good. Marx killed by homophobic nutcase who really wants to kill Sam, but Sam isn't there. Marx is father of Sadie's child.
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