Skip to main content

Cafe Society Woody Allen

This one got panned pretty broadly, but I liked it. Plot:
Looking for an exciting career, young Bobby Dorfman leaves New York for the glitz and glamour of 1930s Hollywood. After landing a job with his uncle, Bobby falls for Vonnie, a charming woman who happens to be his employer's mistress. Settling for friendship but ultimately heartbroken, Bobby returns to the Bronx and begins working in a nightclub. Everything falls into place when he finds romance with a beautiful socialite, until Vonnie walks back into his life and captures his heart once again.

 Love of NYC comes through strongly, as Bobby is lost in LA. Bobby isn't quite the innocent abroad, though, as he works for his criminal brother in NYC upon his return. So, a little gangster movie merged with romance.  Not great, but not pretentious--liked it more than Midnight in Paris.

Comments

Post a Comment

Popular posts from this blog

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin . . . finished

 Follows Sadie and Sam (Mazer) from childhood to mid-thirties when both are feeling old and a bit out of it in the gaming world.  Characters are well-rounded, develop throughout the novel in interesting way.  Plot is involved but sensible.  Not a single, "Oh, come on!" moment.  The book could have been faster paced. Odd, since the main topic is video games which are not for their speed of engagement and Gabrielle Zevin clearly knows her video games. Recommended by Michael Connelly in an interview.  He also has Bosch pick up the book in his novel, Resurrection Walk, as Bosch tails a possible witness to a crime as she moves through a bookstore. Sadie and Sam do not get together at the end, which is good.   Marx killed by homophobic nutcase who really wants to kill Sam, but Sam isn't there. Marx is father of Sadie's child. 
Post a Comment
Read more

The Secret, Book and Scone Society

Cozy mystery with a "women are superior creatures" underpinning. The four women have all had their struggles, which we will learn about one-by-one, but they all remain/emerge wiser, kinder, smarter, etc. than the men in the novel, most of whom are corrupt, narrow-minded, unfeeling and potentially violent. (Nora's encounter with the paramedic-hunk is the exception, though it occurs to me that he may be the murderer.) Even Estelle, who uses sex to get what she wants, is portrayed positively.  The men are comically manipulated by her curves.  In one scene, she goes skinny-dipping with a married man but is rescued by her buddies before she actually has sex with the guy. Nora, our main character, is told by her female friends that she is beautiful despite her scars. No male says this to Nora because males are just too crass to see beyond surface beauty.  I hope I'm wrong and the book is more nuanced. If not, then this author is a one-and-done writer for me.
Post a Comment
Read more