Skip to main content

Portrait of the Artist (75% done)

Every sentence in the description of his religious conversion and then his mortification of his sinful flesh is great . . . but there are just so many of them.  I think the passages would today ring most true to the fallen away fundamentalist or evangelist. I don't think very many Catholics, at least in the USA, have felt Joyce's intensity.

Next scene is the famous epiphany, the call to be the artist.  The girl on the beach, looking into his eyes, neither wanton or shy.  Wonderful, wonderful, wonderful.

Comments

Popular posts from this blog

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin . . . finished

 Follows Sadie and Sam (Mazer) from childhood to mid-thirties when both are feeling old and a bit out of it in the gaming world.  Characters are well-rounded, develop throughout the novel in interesting way.  Plot is involved but sensible.  Not a single, "Oh, come on!" moment.  The book could have been faster paced. Odd, since the main topic is video games which are not for their speed of engagement and Gabrielle Zevin clearly knows her video games. Recommended by Michael Connelly in an interview.  He also has Bosch pick up the book in his novel, Resurrection Walk, as Bosch tails a possible witness to a crime as she moves through a bookstore. Sadie and Sam do not get together at the end, which is good.   Marx killed by homophobic nutcase who really wants to kill Sam, but Sam isn't there. Marx is father of Sadie's child. 

The Secret, Book and Scone Society

Cozy mystery with a "women are superior creatures" underpinning. The four women have all had their struggles, which we will learn about one-by-one, but they all remain/emerge wiser, kinder, smarter, etc. than the men in the novel, most of whom are corrupt, narrow-minded, unfeeling and potentially violent. (Nora's encounter with the paramedic-hunk is the exception, though it occurs to me that he may be the murderer.) Even Estelle, who uses sex to get what she wants, is portrayed positively.  The men are comically manipulated by her curves.  In one scene, she goes skinny-dipping with a married man but is rescued by her buddies before she actually has sex with the guy. Nora, our main character, is told by her female friends that she is beautiful despite her scars. No male says this to Nora because males are just too crass to see beyond surface beauty.  I hope I'm wrong and the book is more nuanced. If not, then this author is a one-and-done writer for me.