Skip to main content

Touch of Evil finished

I'm guessing the original is probably better than this sorta director's cut.  This seemed a little too long in a few places.

Orson Welles as the corrupt but correct cop who is exposed by Charlton Heston.  Janet Leigh as the busty wife of Heston who is kidnapped and given drugs (though she really isn't). Welles shoots his best friend who then shoots him at the end.  Wire-tap confession. Charlton Heston running through the water to keep the connection up.

For all its flaws, it's still much better than most movies of its time.  Well-acted, directed, photographed. Good depiction of the tension between Mexico and USA. Interesting how little has changed--drugs from Mexico, racist contempt in America.

Comments

Post a Comment

Popular posts from this blog

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin . . . finished

 Follows Sadie and Sam (Mazer) from childhood to mid-thirties when both are feeling old and a bit out of it in the gaming world.  Characters are well-rounded, develop throughout the novel in interesting way.  Plot is involved but sensible.  Not a single, "Oh, come on!" moment.  The book could have been faster paced. Odd, since the main topic is video games which are not for their speed of engagement and Gabrielle Zevin clearly knows her video games. Recommended by Michael Connelly in an interview.  He also has Bosch pick up the book in his novel, Resurrection Walk, as Bosch tails a possible witness to a crime as she moves through a bookstore. Sadie and Sam do not get together at the end, which is good.   Marx killed by homophobic nutcase who really wants to kill Sam, but Sam isn't there. Marx is father of Sadie's child. 
Post a Comment
Read more

Tess of the D'Urbervilles, continued 2/3rds

"To all humankind, Tess was only a passing thought. Even to friends, she was only a frequently passing thought." Angel Clare is a good character. He's "enlightened," in so many ways, but when Tess's confesses her "crime," he reverts to ancestral form . . . Tess's "confession" comes earlier than I expected, right after Angel reveals that he has had a bad moment with a woman. Tess points out the similarity in their transgressions, though his is the only true transgression, expecting forgiveness. She doesn't get it. She returns to her mother . . . realizes she can't stay with her. Thoughts to suicide. Unhappiness that divorce is not possible. Departs. Tragic in that the two, if Angel could just see clearly, would indeed be a great couple, each adding to the other.  Nature as a definite force involved in the tragedy.  It's not neutral--when things go bad, the very skies mock Tess. Tess as unaware of the power of her bea...
Post a Comment
Read more