Gone with the Wind

Terrific 90 percent of the time. Great performances by all, though the Clark Gable character doesn't stand up to a close look, nor does the love of Tara at the end.

Still, very few dull moments and lots of exciting ones. Well worth the time.

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Romeo and Juliet

PBS performance during pandemic. No live audience, filmed in a warehouse. Entire play was good, but the standout was Jessie Buckley as Juliet. Great performance.

Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin . . . finished

Follows Sadie and Sam (Mazer) from childhood to mid-thirties when both are feeling old and a bit out of it in the gaming world. Characters are well-rounded, develop throughout the novel in interesting way. Plot is involved but sensible. Not a single, "Oh, come on!" moment. The book could have been faster paced. Odd, since the main topic is video games which are not for their speed of engagement and Gabrielle Zevin clearly knows her video games. Recommended by Michael Connelly in an interview. He also has Bosch pick up the book in his novel, Resurrection Walk, as Bosch tails a possible witness to a crime as she moves through a bookstore. Sadie and Sam do not get together at the end, which is good. Marx killed by homophobic nutcase who really wants to kill Sam, but Sam isn't there. Marx is father of Sadie's child.

The Franchise Affair, Josephine Tey--opening pages

Blair, a lawyer in Milford, gets a strange call. His practice is wills and similar--nothing criminal. A woman tells him that Scotland Yard is accusing her of abduction and implores him to come out to help her, even if later on he passes the case to someone else. The woman says she has called him because he is "her type," meaning respectable and conservative. He agrees.

Carl Deuker -- Books, Movies, TV

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