Weaker story than Emma, so weaker movie. Two sisters needing husbands. Our heroine loses her love to another . . . but wait . . . it was actually his brother who married. Jane Fairfax is tragic figure, forced to marry the shallow Willoughby even though she has great attributes. Marianne gets the Colonel, not Willoughby. She's sad but then realizes it's for the best. Our heroine (can't recall her name) gets Knightley--shy and perfect. Yawn
"To all humankind, Tess was only a passing thought. Even to friends, she was only a frequently passing thought." Angel Clare is a good character. He's "enlightened," in so many ways, but when Tess's confesses her "crime," he reverts to ancestral form . . . Tess's "confession" comes earlier than I expected, right after Angel reveals that he has had a bad moment with a woman. Tess points out the similarity in their transgressions, though his is the only true transgression, expecting forgiveness. She doesn't get it. She returns to her mother . . . realizes she can't stay with her. Thoughts to suicide. Unhappiness that divorce is not possible. Departs. Tragic in that the two, if Angel could just see clearly, would indeed be a great couple, each adding to the other. Nature as a definite force involved in the tragedy. It's not neutral--when things go bad, the very skies mock Tess. Tess as unaware of the power of her bea...
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