The murderer still seems is obvious. Cribbage-playing "rescuer" whom Megan visits--but I'm enjoying the medical examiner/pathologist investigation. Nice turn in the Megan-Livia (victim/pathologist sister) relationship. Livia meets Megan and realizes that the obnoxious saved "Megan" of TV and book tours isn't real. Hypnotism scenes with Megan and her doctor are also very good. I'm hoping I'm off base concerning the cribbage-playing murderer, because a satisfying twist is always nice. I think we're done with the teen stuff, too, which is great. That was the weakest part of the novel by far for me.
"To all humankind, Tess was only a passing thought. Even to friends, she was only a frequently passing thought." Angel Clare is a good character. He's "enlightened," in so many ways, but when Tess's confesses her "crime," he reverts to ancestral form . . . Tess's "confession" comes earlier than I expected, right after Angel reveals that he has had a bad moment with a woman. Tess points out the similarity in their transgressions, though his is the only true transgression, expecting forgiveness. She doesn't get it. She returns to her mother . . . realizes she can't stay with her. Thoughts to suicide. Unhappiness that divorce is not possible. Departs. Tragic in that the two, if Angel could just see clearly, would indeed be a great couple, each adding to the other. Nature as a definite force involved in the tragedy. It's not neutral--when things go bad, the very skies mock Tess. Tess as unaware of the power of her bea...
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