Skip to main content

Women in Black 100%

VERY STRONG ENDING All the mysteries are nicely resolved.  It's a good ghost story, too, but the revelation comes all in a piece and pretty much explains everything.  A village with a secret. Since it's a short book, maybe the strong ending saves the whole thing.  I'll have to think about that.

Spoilers:  The mother who was forced to give up her baby returns and lives near the child, as an aunt.  Child loves her; she loves child.  Boy goes out one day; mists come up; coach & child & nanny & driver all drown in marsh.

Mother--angry and bitter about being forced to give up the child--dies later of heart failure, but comes back to haunt the village.  Whenever she is seen, a child dies.

Our narrator learns that no child has died since his sighting . . . has the cycle ended?

NO! In a very nice twist, even though reader could see it coming, it is his own firstborn child who dies.  The child is in a coach in London.  The ghost steps out from under a tree, spooks the horse. Horse races off, crashing into tree, killing narrator's son and his wife. He watches helplessly.

Story is framed around his second family and his stepchildren, all of whom have been begging him to tell a ghost story for run.  Some fun.

Comments

Popular posts from this blog

Netflix Lincoln Lawyer

 Just a long yawner.  Acting was fine; there just wasn't nearly enough plot to carry 10 episodes.  Tech guy accused of killing wife.  LL takes on the case after the tech lawyer's first lawyer is murdered.  Mickey Haller gets the guy off . . . trick is the guy is guilty.  He used a drone to dispose of bloody clothes.  Subplot Maggy McFierce trying to get a conviction of a human trafficker.  She loses but then wins.  The divorced couple almost gets back together, but they are on opposite sides of the adversarial process and work comes first.  Won't be in a hurry to watch Season 2

Live and Let Die

 The Fleming book, flawed by 50's racism, moves along in plot and character.  Fleming is an excellent writer--great descriptive powers and pacing. The movie has no redeeming qualities.  All that's left from the book is the racism, and in the book you can feel Fleming's doubts about his racist scenes slipping in.  In the movie (made years later), the racism is incredible.  1972.  Those who say no progress has been made should watch this.  Impossible to imagine this film being made today.