Skip to main content

Quiet Life in the Country 25%

Very entertaining cozy murder mystery.  Lady Hardcastle (Emily) and her lady's maid Florence Armstrong go for a walk in their quiet country village and discover a dead body--a man hanging from a tree.  Both are more than up to the moment, neither expressing much emotion or shock.  Stiff upper lip and all that.  The "suicide" they quickly reveal to the police, is really a murder.  The police find out the dead man had had an argument in the bar earlier.  They arrest the other man, and they're done.  But our ladies are just beginning.

So, it's fun, but . . . the relationship between the two women is a bit hard to take.  Flo and Emily get along swimmingly, bantering with one another, each apparently content.  The class distinction, when they are alone, disappears.  In public, it reappears.  All very smooth.  Now the newly "rich" don't possess this ability to be great employers of servants, so they order they servants around and are generally bullies.  Nostalgia for a never-was time when aristocrats looked out for the world and all was charming.  Criticism done, now I'll just enjoy.

Food and drink feature prominently, both women happy to indulge.  Wry humor is the dominant feature of their conversation.

Comments

Popular posts from this blog

Netflix Lincoln Lawyer

 Just a long yawner.  Acting was fine; there just wasn't nearly enough plot to carry 10 episodes.  Tech guy accused of killing wife.  LL takes on the case after the tech lawyer's first lawyer is murdered.  Mickey Haller gets the guy off . . . trick is the guy is guilty.  He used a drone to dispose of bloody clothes.  Subplot Maggy McFierce trying to get a conviction of a human trafficker.  She loses but then wins.  The divorced couple almost gets back together, but they are on opposite sides of the adversarial process and work comes first.  Won't be in a hurry to watch Season 2

Live and Let Die

 The Fleming book, flawed by 50's racism, moves along in plot and character.  Fleming is an excellent writer--great descriptive powers and pacing. The movie has no redeeming qualities.  All that's left from the book is the racism, and in the book you can feel Fleming's doubts about his racist scenes slipping in.  In the movie (made years later), the racism is incredible.  1972.  Those who say no progress has been made should watch this.  Impossible to imagine this film being made today.